Pee Wee Ellis – Tenoration

Review by Wayne Dawson of Jazzandbeyond:

„The first disk offers the best jazz-funk you’re ever likely to hear. The stamina levels are intense and everyone holds the line with the over ten-minute ‚Sticks‘ (a piece written by Julian Adderley) representing a high point…The second disk is just as up on it, with the same drummer carried over for the entire set (how could you let him go?)

Pee Wee Ellis

Pee Wee Ellis’s remarkable story spans six decades, starting in the 50s when he took himself and his sax off to New York City to find his heroes Miles Davis, Thelonious Monk, and the great Sonny Rollins (who became his teacher and mentor.) A promising career leading jazz bands in Florida took an unexpected turn in 1965 when he joined James Brown’s sensational Revue, playing alto. Within six months he was bandleader and musical director and was co-writing with James Brown. ‘Cold Sweat’, widely acknowledged as the first true funk record, and many of JB’s hits for the next four years, including ‘Say It Loud, I’m Black, and I’m Proud’ were the fruit of this collaboration.

By 1970 Pee Wee moved on to CTI in New York and was producing and directing for the likes of Brother Jack McDuff, Esther Phillips, and George Benson. In 1979 in California, he caught the ear of Van Morrison and began five years as Van’s MD/bandleader arranging the horns on albums such as Into the Music, and Common One.

During the 1990’s Pee Wee moved to Europe and pursued a burgeoning solo career, releasing jazz albums including the critically acclaimed ‘12 and More Blues’. He also formed the JB Horns with ex-James Brown alumni Maceo Parker and Fred Wesley, who toured widely to great acclaim.

Pee Wee rejoined Van Morrison as bandleader and arranger for five more highly successful years around this time. Meanwhile, his worldwide reputation had become apparent as musical stars from Africa and Cuba (including Oumou Sangaré, Cheikh Lô, Ali Farka Touré and Buena Vista Social Club stars Orlando ‘Cachaíto’ López and Miguel Angá Díaz) sought his distinctive sound for their recordings. Most recently he has arranged for and recorded with Boy George, Joss Stone, George Clinton, and Paul Carrack.

Having led the spectacular ‘Still Black, Still Proud’ an African Tribute to James Brown in the early 2000s, and being a founder member of drumming legend Ginger Baker’s Jazz Confusion in 2015/16, currently Pee Wee is focusing on his projects: his band The Pee Wee Ellis Assembly still tour worldwide, recently opening the Blue Note in Shanghai; he is working on his autobiography and an Anthology from his 50-year recording career.

Musicians:

Pee Wee Ellis – Tenor Saxophone
Dan Moore – Keyboards (1-6)
Gareth Williams – Grand Piano (7-12)
Tony Remy – Guitar (1-6)
Patrick Scales – Bass (1-6)
Laurence Cottle -Bass (7-12)
Guido May – drums